Todd Duncan sang the vocals for the film soundtrack. Les Baxter (Capitol Records catalog number 3055), released an instrumental version which reached #2. Al Hibbler followed close behind with a vocal version (Decca Records catalog number 29441) that reached #3 on the Billboard charts. He was followed soon after by Jimmy Young, whose version hit #1 on the British charts. Roy Hamilton's version (Epic Records catalog number 9102) reached number one on the R&B Best Sellers list and #6 on the pop chart. June Valli recorded the song on March 15, 1955 and it was released by RCA Victor Records as catalog number 20-6078, with the flip side "Tomorrow" and took it to #29. Gene Vincent and his Blue Caps recorded it for their second album in 1956 — Vincent's version is played at mid-tempo and features a tremolo picking guitar part. It is also probably the most unusual cover version, as the bridge was omitted. Harry Belafonte sang it at the 1956 Academy Awards where it was nominated for the Academy Award for Best Original Song of 1955. (Belafonte had also made a recording of the song for RCA Victor Records, which was released as catalog number 20-6784, with the flip side "A-Roving.") In 1963, an uptempo, doo-wop version hit the regional charts (eastern U.S.) by Vito & the Salutations, eventually becoming part of the soundtrack for Goodfellas in 1990. Perry Como recorded the song in 1955, and English jazz musician Cliff Townshend of The Squadronaires also released a popular version in 1956.
The song regained popularity when another version was produced by Phil Spector in 1965, credited to The Righteous Brothers, but performed as a solo by Bobby Hatfield, who later recorded versions credited solely to him. This version climbed to #4 on the charts. (http://en.wikipedia.org/wiki/Unchained_Melody).
By: Shahen Gasparyan
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